This work was built up in rolls of clay. It originated from a feeling. No preliminary design was made. The work arises during the building process. By letting the clay rest in between, it is easier to manipulate and a dynamic form is obtained.
This ceramic work is biscuit fired at 960°C, without a finishing layer. Afterwards it was fired electrically at a higher temperature.
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Liliane makes beautiful ceramic forms similar in appearance to Georgia O'Keeffe’s paintings. Liliane’s ceramic forms are voluptuous, graceful and full of sensuality. She says the forms develop automatically from intuition as if guided by the clay. Liliane deliberately colors her work and creates a soft, matte texture that produces synesthesia in the viewer – it looks like it feels like skin – her work fills the viewer with the desire to touch the surface.